Pre-submission figure checklist
26 things to check before a figure goes with a manuscript. The first four sections are what a journal will notice. The last one is what it will not ask about and a reader will.
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Before you draw
- Decide the column width now. Set type and stroke weights so they are right at the printed width, not at the width you are drawing.
- Pick the encoding for the judgement you want the reader to make. Position along a common scale is read more accurately than length, angle or area.
- If n is small, show every point. A bar of a mean carries the visual authority of a large sample whatever n actually is.
In the figure
- No text smaller than 8 pt at final printed size.
- Check your tool’s default stroke weight rather than trusting it. Observable Plot’s is 0.75 pt; journals commonly ask for more.
- Colour is never the only difference between two series. Add shape, a dash pattern, or a direct label.
- Six categorical colours at most. A seventh series is a facet, an “other”, or a second figure.
- No rainbow or jet colourmap. Sequential is one hue light to dark; diverging is two hues with a neutral middle.
- Bars and areas start at zero. If the baseline has to be cut, use a mark whose position rather than length carries the value.
- One value axis. Two scales on one plot are two figures.
- Direct labels rather than a legend wherever there are six series or fewer.
- A scale bar on every micrograph, and a channel key on every multi-channel image.
In the caption
- What is shown, and in whom or what.
- n, and what n counts: cells, animals, or independent experiments.
- What the error bars are. Standard deviation, standard error and confidence interval are three different claims.
- The test used, and what was compared with what.
- The value of the scale bar.
- Every abbreviation, symbol and panel letter.
The file
- Vector for anything drawn: PDF, EPS or SVG. Raster only for photographs and micrographs.
- Resolution applies to raster only. Rasterising a chart to hit a dpi number throws away the thing that made it sharp.
- Fonts embedded or converted to outlines.
- The format, dimensions and file size your journal asks for, read from their own author guidelines rather than from a summary of them.
What your journal probably did not ask
Production specifications are a floor. These are the checks that decide whether the figure can be read, and most guidelines do not mention them.
- View it in greyscale. Does the figure still work?
- Put it through a colour-vision simulation. Roughly one man in twelve has a red-green deficiency.
- Print it at final size and read it at arm’s length.
- Text contrast of at least 4.5:1 against whatever sits behind it.
Why the last section exists
Author guidelines are production specifications. They are written so the typesetter's software does not choke, and they vary more than you would expect: of two large open-access publishers, one states the contrast ratio your figure must reach and warns you off red and green, and the other tells you which three fonts you may use and does not mention colour at all. Meeting the list you were handed is not the same as having a figure that works.
sci-vis.com/checklist
Hannah Isles takes on figure and manuscript work through Hannah Isles Editorial. Hannah Isles Editorial